Tag Archives: The Chapel

You and Me and Everybody Else

If I had a voice like Hamilton Leithauser…

I’d sing in the shower so that my neighbors could hear. I’d find a way to lead a rendition of “Take Me Out to the Ballgame” at AT&T. I’d stop arguments and mediate conflicts through focused crooning. I’d stop relegating my karaoke efforts to private underground closets in Japantown and start queuing up at The Mint.

"11 O'clock Friday Night" at 11 O'clock Saturday night
“11 O’clock Friday Night” at 11 O’clock Saturday night

And I’d be excused for boning San Francisco in favor of tour support for Ray LaMontagne.

That happened in April. Since then, the album came out, the gig at The Chapel was rescheduled, and all was forgiven.

Saturday’s show didn’t sell out until the early afternoon, apparently, which would seem to suggest that maybe some fans still held a grudge. And I had to persuade at least one of them, MH, that it’d be worth it. He got his ticket at 1:00 PM. But by the time the opener, LA’s Avid Dancer, finished their brief (five-song?) set, the dancefloor was packed. Continue reading You and Me and Everybody Else

Bart Davenport Made It Happen

As a member of the local band Honeycut, Bart Davenport was a live favorite here in The City. As a current LA resident, now touring to support his new LP Physical Worldhe’s earned a place in the annals of my favorite live performances of all time.

The album is pretty good, and the first single, “Wearing the Changes,” has maintained its place in my New New Stuff playlist despite kicking around for a few weeks. It repels reorganization.

Last night at The Chapel was a good night. Reminder: I’m out of the pseudo-music-reviewing biz. All of us at Idle Time are. I’ll sum this up in The Point sometime in the near future, but suffice to say that the Institute’s efforts to rate, quantify, and chronicle pop music started to feel like homework right around the same time that real-world shit got crazy. Seemed like a foregone conclusion: Idle Time had timed out. As the 2014 dawn reflected off the settling dust specks, however, I remembered what made us so passionate about music in the first place. Why we first debated with one another, made each other mixes, and flipped flashcards of obscure album covers with kung fu rapidity.

photo (2)It’s about the music of course, but it’s also about the places we inhabit, the things we do, and the people we’re with when that music happens.

And last night at The Chapel Bart Davenport made it happen.

His new album may not make any best-of lists of import, but it’ll show up among my favorite records of the year because it is permanently linked to an evening of new friends, old (sorely missed) emotions, and a singular sense of peace with the universe that I haven’t experienced in far too long.

Thanks, man.

Hamilton’s Black Hours

If rumors of The Walkmen’s demise are true, at least they left us in Heaven

Of course… I can think of at least one other outfit that had a nice ten-year stretch from 2002-2012, then seemed to call it quits, but is now starting to emerge in 2014 in fits and starts, so…

Walkmen frontman Hamilton Leithauser’s solo offering, Black Hours, comes out May 6. The first single, featuring an assist from Vampire Weekend’s Rostam Batmanglij, is already rattling windows on my morning commute.

Other collaborators on the album include members of The Shins, Dirty Projectors, and the don’t-believe-they’re-gone Walkmen. What will be gone, very quickly I suspect, are tickets to Leithauser’s May 7 show at The Chapel. Snatch ’em up.